Saturday, 24 September 2016

What the Eff?

Happy Saturday, my friends!

My recent shout-out for recordings that I have not previously written about turned up this little nugget. Fellow Blogger Bob at Dead Wax brought this to my attention; unfortunately I’ve only been able to find one side of the disc so far (and the B-side at that), but goodness – what a find!

Released on the tiny Lorida label, this disc was custom pressed by RCA in 1958 – just about the same time that they were pressing discs for Grace Pauline Chew’s Musicart label. Lorida isn’t a spelling mistake: it’s the name of a small, unincorporated community in eastern Highlands County, Florida. Originally named Istokpoga (a Seminole Indian word meaning ‘drowned man’), the name was changed to Lorida (pronounced lo-reed-a) by then-postmistress Mary Stokes 1937 by simply lopping the ‘f’ off Florida.

Credited to Leona Bass and The Lost Guitars, the amazingly inept I Want to Marry an Egghead appeared as the b-side to Ralph Tullo and The Lost Guitars’ My Heart's With You on Trial. The lyrics to both sides were written by Martin Manders, with René Bruneau providing the music (if you can call it that) to I Want to Marry an Egghead, and Phoebe Cole composing the music for My Heart's With You on Trial. Both songs were published by Fighter Music Publishing Limited in June 1958. Bruneau was an old hand (literally: he was born in 1900), and wrote the music to dozens of copyrighted songs, many of them with lyrics written by one Ed Kukkee (full name Edwin Waldemar Kukkee), including What Happens When a Bug Goes Bugs, Papa Stork is Paying Us a Visit and The Wiggle Wiggle Rag (I wonder if Bob Dylan was aware of that one?). Cole too had form, previously composing the music to the songs Kiss me, Sweet and Kiss me All the Time (both 1957). My assumption is that Mr Manders sent his lyrics in to song poem-esque services to have them set to music: this is borne out by the fact that all of Cole’s and Bruneau’s co-writers retained copyright in their respective compositions.

Other people associated with Lorida also had connections with the song-poem world: Earl Luton (of Lutone fame) composed at least one side for Lorida, and Harold Crosby - who also issued a 45 on Top Fifty - issued a brace of 45s on Lorida. Mike Sarlo, who performed with a band called the Footstompers on another Lorida release, was a programme director for a Pennsylvania radio station who also dabbled occasionally in songwriting and recording. 

It appears that Manders (1906-1978) was from Allouez village, Green Bay, Wisconsin – quite a way from Florida. It appears too that Lorida issued at least a half dozen 45s during the life of the company, and that this particular coupling was the first. Quite how it came about is a mystery: I assume either Leona or her dad paid for the recording and pressing themselves, or that the Bass family were friends of Martin Manders and he stumped up the $50 or so to have the record cut and pressed.

Perhaps one of you can help fill in the story... and find the flip side?

Enjoy!

2 comments:

  1. Reminds me in some parts of a buddhist incantation... Hearing that kind of songs always me brings up the question : why?

    For use as aliens repellent? Coded phrases aimed at insurgent in some latin countries? The result of a bet?

    ReplyDelete

WWR Most Popular Posts