I feel I have sorely neglected all of you song-poem fans of late, so to make up for that here’s a brace of badness from the 2008 Hilltop Records compilation America. Hilltop is that rarest of song poem outfits, a company that still exists today and is still taking money from unsuspecting rubes.
Operating out of Los Angeles, in all fairness Hilltop’s productions are pretty easy on the ear, and many of the songwriters who have submitted their material seem to be pretty happy with the results - if the testimony page on the Hilltop website is anything to go by. But like all song-poem outfits income is more important than the quality of the source material, and no matter how professional your singers or musicians are, there’s not a lot you can do when the lyrics supplied are somewhere between mediocre and downright awful.
Summer’s End is a perfect example. Nice to listen to but the lyrics are utterly brainless: the opening lines ‘My eyes looking ‘cross fields of dying flowers with tears of sadness I see dying as they see each one giving its offspring the same sense of pleasure, same wonder of colours they gave to me’ are tongue-twistingly terrible. Composer Charles A. Hopkins should stick to writing poetry for his church magazine: these words read far better as prose than lyrics.
Crystal Gable’s Jalapena Senorita – ‘doing the salsa, shaking the maracas like hot sauce’ - is downright peculiar: a thinly veiled lesbian love song to a Mexican woman whose ‘body should be in the Hall of Fame’. The song’s original intention is obscured by being sung by a male vocalist, one Cody Lyons (who also handles the vocal on Summer’s End), but seriously, what on earth could Ms. Gable have been thinking?