From what I’ve been able to glean there were three singles, each issued on a different label: Good Time Break (released around 1984 and clearly influenced by the breakdancing craze), the 1989 release Chasseur du Charme, and the truly terrible Homo Gay issued in 1985, the 12” mix of which features almost six minutes of Monsieur O’Kings’ out of tune caterwauling.
The lyrics of Homo Gay make no sense in either language, but the first verse seems to be about our Phil’s obsession with a cute English boy with wavy blond hair and a penchant for wearing tweed. In verse two Phil sings about an androgynous-looking person with skin like black plastic. My assumption is that it’s this section that inspired the sleeve designer/photographer to take an image of Phil doing his best Grace Jones impersonation. Luckily the chorus is pretty self-explanatory.
And how did I discover this nonsense, you ask? Well, for the last 10 months or so I have been writing about the history of LGBT music and musicians for a book, due to be issued this November, entitled David Bowie Made me Gay. Those of you who follow this blog via Facebook will probably know that I recently held a workshop on homophobia in music and it was through a discussion on what tracks to use that we found this gem. During my research I’ve uncovered some of the most peculiar records I’ve ever heard – some of which I’m going to share with you, you lucky people!
As each of Phil’s singles features just one song (all other tracks are either remix or instrumental versions of the title track) I’ve included both Good Time Break and Chasseur du Charme as well as the execrable Homo Gay.