Saturday, 14 July 2018

Outer Space Elvis


Recommended by our dear friend The Squire, this is one of the weirdest, wildest Elvis covers I’ve ever heard. It puts Eilert Pilarm, Elvis Pummel and the Legendary Stardust Cowboy to shame.

Dean Carter’s brilliantly insane version of Jailhouse Rock was issued in 1967. An insane mix of garage and psychobilly, Dean’s unhinged performance is a thing of wonder. The flip side, Rebel Woman, is pretty crazy stuff too.

Dean Carter was born Arlie Neaville. He began playing rockabilly in the late '50s in Champaign, Illinois, and recorded for the Ping label in 1961 under his real name, before moving on to the more established Fraternity label in 1962 as Arlie Nevil (issuing the self-composed Alone On A Star/The Skip). After that he went to Limelight, where he first recorded under the name of Dean Carter. Neaville and guitarist Arlie Miller invested in their own recording studio, Milky Way, and the pair (as Arlie and Arlie) launched their own label of the same name to issue Carter’s Jailhouse Rock single, now a highly collectable and very expensive 45. Luckily both sides, and many of the other tracks he’s recorded over his varied career, were collected on the 2002 CD release Call of the Wild.

In the early 70s he reappeared under his real name, Arlie Neaville, issuing a crazed cover of Breathless on Shout ‘n’ Shine Records. Since then he’s kept his original name, and has moved in to the gospel music field. You can find clips of his more recent work on YouTube, as well as plenty of examples of his wilder material.

Enjoy!

Download Jailhouse HERE



Download Rebel HERE

Saturday, 7 July 2018

Swingeing Swindle


One of my more peculiar recent finds was this album, Songs for Swinging Children by the Groovy Gang.

I know…

A dozen covers of popular hits, all with a kid-friendly bent. Don’t let the Sinatra-esque title or cover image fool you though, the only swinging these kids get up to is in the play park. No nelson Riddle arrangements or orchestrations, the twelve tracks included here are po-faced and perfunctory, knocked out in a spare hour in the studio (the notes on the back of the cover tell us that this recording session took place on June 10) by a bunch of tired moonlighting musos who would have probably been paid around £50 each for their trouble. It’s fairly safe to assume this was recorded in 1971: the album was issued that year and the most recent track, the Kinks song Apeman, was not issued until November 1970.

What interests me is that the album was produced by Norman Newell, whose career was closely associated with Columbia records, and artists including Russ Conway, Shirley Bassey, and Cliff and the Shadows. Newell, a songwriter as well as a producer, also acted as an A&R man for other EMI labels, and was responsible for taking acts to Parlophone (Vince Eager) and recording soundtrack albums for HMV.

Musical Rendezvous/Contour was a British company that specialised in cheap reissues of old Polydor stable recordings: the Beatles Hamburg sessions with Tony Sheridan were put out (in two different covers, both featuring the iconic Mersey Beat newspaper) around the same time, and in turn would become one of (if not the) first albums I ever purchased with my own money.

A side note: the album includes a cover of the Pipkins hit Gimme Dat Ding. When researching this I was surprised to discover that the song had originally been recorded Freddie and the Dreamers. Gimme Dat Ding was composed for a musical, Oliver in the Overworld, that formed part of the kid’s TV show Little Big Time, hosted by Freddie Garrity. Freddie and the Dreamers released a soundtrack album of Oliver in the Overworld in 1970, but it was novelty act Pipkins who scored the international hit. Songwriter Roger Greenaway performed, as a member of the Dreamers, on the first recording, and Greenaway was one half of Pipkins. Small world, eh?

Anyway, here’s a taster. The aforementioned Gimme Dat Ding and the Groovy Gang’s dull version of the Beatles’ Yellow Submarine.

Enjoy!

Download Ding HERE




Download Submarine HERE 

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