Friday, 22 November 2019

Hallmark Halmark


Just a short blog today, partly because I am away from home currently but also because I wanted to get another couple in before we begin our annual Christmas Cavalcade. But mostly because I am staying in a Hallmark Hotel.

Today’s disc is something a bit special, all four tracks from a mid-to-late-period EP from the Halmark song-poem studio. Well, I had assumed that, it’s impossible to tell for sure, but a little research shows that the disc was minted around 1973, so that would be right. Plus a couple of the music beds utilised on this particular release from Ted Rosen’s song-poem company are among the more rare of their regular accompaniments. I certainly cannot immediately recall having heard the tune used behind the astounding The Suffering of a Serviceman’s Wife or opening track Honeymoon On The Moon before.

Those two cuts are the standout tracks on this EP, both sung by Halmark staffer Mary Kimmell. My friend Bob Purse had previously blogged this, and as he rightly noted all four tracks are credited to Bob Storm on the disc’s label, despite two of them clearly being sung by a woman. The other two, much more pedestrian cuts – the wonderfully-titled Trench Coat, Umbrella and Boots and the eminently forgettable Unapproachable – do indeed come from Halmark’s regular male solo vocalist Bob Storm. Those last two songs were both copywrited by “arranger” Jerry Dee in 1973... the cheeky beggar: the arrangements for these and pretty much every disc ever issued by Halmark (and subsidiary labels Chapel and Grand) cam straight of an open reel of ½ inch tape. Anyway, at least it helps us date the disc.

The tune used on the final cut on the EP, The Suffering of a Serviceman’s Wife sounds like it could have been written for a third-rate James Bond rip-off, but the 60s spy flick ambience is a little at odds with the lyrics, which tell the harrowing tale of a (rather selfish, if you ask me) young woman bemoaning her lot now that hubby is back from Vietnam, somewhat the worse for wear. My mind boggles at why she would chose to call him ‘half a man’, the thoughtless trollop, but maybe he lost something fundamental to her happiness overseas.

These particular cuts come from my own copy of the EP. I’ve given it a bit of a clean up and I hope it isn’t too crackly for you!

Enjoy!

Download side one HERE

Download side two HERE

  

2 comments:

  1. I do believe that the most interesting research regarding a song-poem record is to find some facts about the composers. Alas, I've found nothing on Karen I. Davis...

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  2. these are great; I have heard the James Bond theme before (In Nights Of Starshine is one) but this is a truly epic version. And I never have heard the music bed that's used on "Honeymoon".

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