Thursday 14 March 2024

My Yummy, Yummy Love Note Tree

A couple of tracks from a wonderful and rare song-poem album that I’ve owned for a number of years but have not blogged before, the wonderfully-titled Delick Records Invites You to Pick a Delick Record of “The 12 Most Unpopular Songs” in the Little Yellow House of Icka-Delick-Music. The 12 Most Unpopular Songs, to use the more popular short version of the rather unwieldy title, was produced for lyric writer Francis E Delaney by Lew Tobin’s Five Star Music productions company.

 

Most of the discs that emanated from Five Star – and its associated label, Sterling – feature full group performances: this album is different in that it features Five Star’s two best-known vocalists, Norm Burns and Shelly Stewart (Mrs Lew Tobin), accompanied by the solo piano of Mr Tobin himself. Tobin proves himself to be a more than capable pianist, and both Burns and Stewart are perfectly serviceable – if somewhat emotionless - vocalists.

 

The 12 Most Unpopular Songs was issued around 1968 on the tiny Delicks Records label from Icka-Delick-Music of Chicago Ridge, Illinois. The label also put out at least three 45s, Betty Bond’s wonderful Blinky, The Blue Nosed Snowdeer (1971), Shelly Stewart’s Gentle On My Body (backed with Yummy, Yummy, Dum-Dum, although I do not know whether that is the same version as appears on the album), and the 1969 single The Quiet Americans by the Chain Reaction. Three of the four tracks on the two singles were also written by Francis E Delaney, known to his friends as Frank, but whereas Blinky, The Blue Nosed Snowdeer is very much the kind of thing you would expect from our Francis after listing to this album, the Chain Reaction single is a slice of garage rock, with fuzz lead breaks, out-of-tune rhythm guitar and a plaintive vocal from a teenage male singer. The B-side, the rocking Only the Bleeding (Hey, Boy!) was penned by Raymond L. Lovato, presumably a member of the band.

 

A Raymond Louis Lovato worked in advertising, ran a tourist resort in Palm Springs and now writes fiction with lifelong friend Michael Black. I’ve no idea if that’s the same man, but as this one wrote and published poetry in high school and college I reckon it’s a fairly safe bet. Like Raymond, Frank – who was born in 1936 - also saw himself as a bit of a writer, self-publishing the 1978 book When Elvis Played His Music: (the World Began to Sing) and the 2006 collection Memories Minutes in Time: Poetry, Words and Music and Love.

 

Frank was born in 1936, to Martin and Mary Delaney. As he wrote, ‘My father met my mother at Marshal Fields during the depression. They got married and in three short years, she was the mother of five step-sons and two sons of her own… My six brothers were in the U.S. Army, Marines and the Canadian Air Force. I watched all my brothers go to war and watched them all come back alive. I was the lucky one I didn't have to go.’ Frank recalled that he ‘Graduated from Mount Carmel High School class of 54. I played cornet and piano. I started writing poetry and wrote my first song at age 21. From 1969-1971, I took a correspondence course with the Berklee College of Music in Boston. Didn't finish it, did 17 of 20 lessons. Wish I did finish it…’ He died in January 2023, at the grand age of 86.

 

As well as the album and singles, Frank wrote or co-wrote many other songs, some of which he seems to have sent Mr Tobin’s way, including 1977’s MOE (More of Everything), but for others - including Dance Your Cares Away, I’m Returning to Georgia, The Way you Wear Your Hair (all 1977), Love is Wanting, too! (1978), Real Live Toy (1979), and Tantalising Music Magic (1980) – he worked with other musicians able to translate his ideas. His songs appeared on at least one more album: Boots on the Floor, The Man in Me, and The Way You Look at Me all turned up on a 2000 CD from Nashville Records. His last known song was Ribbon on a Tree, a tribute to the victims of 9/11.

 

Anyway, here are a handful of tracks from The 12 Most Unpopular Songs, Norm Burns and Lew Tobin with My Love Note Tree, and The Hickory Kick, and Shelly Stewart and Lew Tobin with Stop It, Stupid and the ridiculous and misogynistic Yummy, Yummy, Dum-Dum.

 

Enjoy!

 

Download Tree HERE 

Download Yummy HERE


Download Kick HERE


Download Stupid HERE

Friday 9 February 2024

I Like My Stew

A little oddity for you today from 1968, and Radio One DJ Ed ‘Stewpot’ Stewart, accompanied by a 40-strong choir of pre-pubescent boys and girls.

 

Edward Stewart Mainwaring (23 April 1941 – 9 January 2016) was a British radio broadcaster and TV presenter, principally known for his work as a DJ, initially (in the UK at least) at Radio London before joining BBC Radio 1 as one of their first ‘name’ presenters when the station launched in 1967. He hosted the Saturday morning show Junior Choice from 1968 until 1979, and he became a well-known face on television, as a presenter of both Top of the Pops and Crackerjack.

 

Credited to Stewpot and the Save The Children Fund Choir, the A-side is a cover version of the Jeff ‘Please Let Me Be a Beatle’ Lynne song I Like My Toys, originally recorded by Lynn’s band The Idle Race. The flipside, co-written by Stewart, is a song-cum-comedy sketch entitled Myrtles Birthday (sic). The disc was issued to raise money for the Save the Children Fund, and all profits ‘including half Ed’s own royalties’, according to a contemporary newspaper report in the Liverpool Echo, would go to the charity, which apparently cost £5,000 a day to run. The Echo reviewer called it ‘Cute, catchy, slightly tongue-in-cheek and engagingly youthful’. I somehow doubt this effort made much of a dent in the charity’s finances, but you can’t begrudge the effort put in by those involved.

 

Recorded at the legendary IBC studios, the disc was issued by MGM in October 1968, a few months after fellow DJ Kenny Everett issued his sole single on the label, covers of the Nilsson songs It’s Been So Long and  Without Her. Apparently, Everett used the backing track to I Like My Toys to make jingles for his Capital Radio show. It was produced by Bill Landis, best known for his work with Paul and Barry Ryan, and Dusty Springfield, but who also produced Tony Blackburn’s MGM single It’s Only Love. Whoever it was at MGM that thought a Radio One DJ was capable of having a hit single was wrong, as none of these baleful recordings made the charts. To Landis’s credit, he also produced the Settlers’ magnificent Lightning Tree, which most of you will remember as the theme to the 70s kid’s drama Follyfoot, and worked with Marianne Faithful.

 

Anyway, here are both sides of the engaging, slightly deranged I Like My Toys.

 

Enjoy!

 

Download Toys HERE 

Download Myrtle HERE 

Saturday 13 January 2024

Ode to Billie Joe

A recent discovery, one I was completely unaware of until I started looking around for a few new tracks to include in what turned out to be the last episode of the World’s Worst Records Radio Show, is this little nugget from Green Day frontman Billie Joe Armstrong, Look For Love, issued in May 1977.

 

Issued on Fiat Records (named after its founders, James J. Fiatarone Sr, and his wife, Marie-Louise Fiatarone), Armstrong’s debut disc came in a plain paper sleeve accompanied by a flyer featuring a photograph of the precious toddler resplendent in a ‘look for love’ t-shirt. The flip side - and I love this conceit – featured an interview with the youngster, titled “Meet” Billie Joe, that was taped in a San Francisco recording studio immediately after the Fiatarones and Armstrong put down the A-side. Claims have been made that the tracks were recorded at Fantasy Studios in Berkeley, California, the same studio where Green Day would later record Dookie in 1993, but the label on the 7” clearly stated that it was recorded in Frisco, on the other side of the Bay.

 

The Fiatarones had written Look For Love three years earlier and had already published the sheet music for the song, but it was not until they met little BJ that they knew they had found the right singer for their magnum opus. To promote the record the precocious nipper appeared on the nationally-syndicated TV show San Francisco Live. It's a shame that the couple had nothing up their sleeves for the flipside, but in “Meet” Billie Joe, we get to learn a little about what is important to the fledgling musician. Armstrong reveals that he can play piano and that he likes school, where his favourite thing is to hear stories from the bible.

 

Billie Joe Armstrong was just five years old when Look For Love was recorded. He had been taking music lessons from Jim Fiatarone, who ran the Fiat Music Company in a shopping mall in Armstrong's hometown of Pinole. Fiatarone convinced Armstrong’s mother to let her boy record Look For Love. It appears that very few copies of the one-off pressing were issued - estimates vary at anything between 50 and 800 - and it is now a super-rare collector’s item, with a copy currently on offer on Discogs for $5,000. Mentioned briefly in Billboard in November 1977, it would be Armstrong’s last solo recording until 2020. At elementary school he met Mike Dirn; the two bonded over a mutual love of music and formed the band Sweet Children at the age of 14, later changing their name to Green Day.

 

Look For Love appears to be the only disc associated with the Fiatarones, although they founded (and still run) the Academy of Language and Music Arts in Orinda, California. The child who would grow up to lead the multi-million-selling band was clearly not embarrassed by his earliest outing, as a short clip from “Meet” Billie Joe turned up on the Green Day album International Superhits!, the band's first greatest hits collection, introducing the song Maria

 

Armstrong clearly saw something in the Fiatarones schtick, as in 2011 he did something similar with his own 13-year-old son Jakob (aka The Boo) issuing a four-track EP featuring the teenager backed by a band that comprised of his other son, his wife, and himself (as Daddyo) on bass.

 

Anyway, here are both sides of this wonderful little disc. Enjoy!


Download Look HERE


Download Meet HERE

Sunday 24 December 2023

Christmas cavalcade 2023 - Part Three

Well, with just a day to go before we all get to fill our faces with turkey (or whatever your chosen alternative might be), there’s just enough time for one last installment in this year’s Christmas cavalcade.

 

If you were listening to the festive edition of the World’s Worst Records Radio Show earlier this week, you would have heard me playing snippets from a cute 1960s kid’s Christmas tale, Shirley Higginson’s The Lisping Elf. Well, here’s the whole thing for you to do with as you will. 


The Lisping Elf was issued at least twice -once in the early 1960s on Corpat Records (my copy, picked up in an antiques centre in Exeter, comes from this original pressing) and again, during the second half of the 1970s, by LEI records. The charming music (which always reminds me of the kind of thing you would hear during BBC schools’ broadcasts during the 1970s) was composed by Tommy Banks (a.k.a. the Reverend Thomas Banks) one half of the Canadian folk duo Tom and Judy. Ms. Higginson was an author – based in Edmonton I believe - who specialised in fables for children: her other works include Ralph the Flying Dog and Ice Cream Sneakers.

 

Next is a recent (like, this morning) YouTube find courtesy of the always excellent Thrift Store Vinyl channel. Issued in 1974, here from Austin, Texas are the Wilson family (well, the Wilson kids at least) ‘singing’ Santa’s Surprise


Composed by Dick Culp and Billy E. Nix (guitar player, songwriter and owner of Ben Records), the Wilson family would issue at least one further record on Darva, the 1976 single Candy Cane Castle, backed with Running Through The Sunshine.

 

And finally, for this year anyway, here’s a song-poem oddity from Gene Merlino. Professional vocalist Merlino did most of his song poem work for two labels, Preview (as Gene Marshall) and Columbine (as John Muir), but also recorded for a number of other companies under a variety of different names. 


Some time back, obscure music collector Sammy Reed unearthed a 45 on the George Liberace Songsmiths label (Lee’s violin-scratching brother had his own publishing company, which also dabbled in the song-poem world), the rather fun and jaunty Santa’s Mommy Must Have Had Quintuplets, and although the vocalist is not credited on the disc itself (the only credit is for the lyric’s author, Clate Hazelwood), the singer is unquestionably Merlino.

 

Well, there you go. Enjoy these tracks, and I shall be back soon with some decidedly un-festive fare for you all.

 

Happy Christmas!

 

Download Lisping HERE

 

Download Surprise HERE

 

Download Mommy HERE

Saturday 16 December 2023

Christmas Cavalcade 2023 - Part Two

A bunch of random, Christmassy nonsense for you today, brought together simply because these singles are seasonal and have not featured on the blog before. Make of this lot what you will.

 

First up, from the late comic actor Frank Kelly, is Christmas Countdown, a song that provided the man best known for playing Father Jack Hackett in the brilliant (if now somewhat overshadowed by having been co-created by a toxic loon) sitcom Father Ted. Not only would Christmas Countdown reward Frank with a top 30 hit in British singles charts (during Christmas week 1983), but it also saw him performing on Top of the Pops


The disc had first been issued, in Ireland, in 1980, on the tiny Lunar Records label, but it was resurrected two years later and became a surprise hit locally, making number eight on the Irish charts. It was also a top 20 hit in Australia. Kelly had form when it came to Christmas-themed novelties: in 1979 he issued (via Dublin label Crashed Records) the new wave-inspired comedy single Dear Santa, this time credited – in a tip of the hat to Mr Lydon – Rotton Frank. As it’s the season, I have also included that track here for you to enjoy (or endure!)

 

Next is the A-side of a 45 from Bob Anthony, the cabaret singer whose tribute album to the island of Jersey I featured on the blog back in November 2021. This time he’s singing about spending the festive season in the slightly less exotic locale of London: Christmas in London first appeared as a single in 1978 (on Bob’s own Regis Rose label, based at his home address in Bognor Regis), before being compiled as part of his early 1980s album Magic of London.

 

America’s amateur poets and lyric writers were hot on Christmas. So it should be no surprise that there are quite literally hundreds of festive-themed song-poems out there. All of the big names of the genre, including Rodd Keith, Gene Marshall, Cara Stewart and Norm Burns have Christmassy clunkers in their catalogues, and many have already appeared on this very blog, but to round off today’s post is one I have not featured before now. 


From the pen of Norridge Mayhems, a.k.a Norris the Troubadour, here are the Seaboard Coastliners – an entirely studio-fabricated band (and the same act that appeared as the Ping Pongs on the utterly brilliant Pinky Tail) – and the wonderfully atonal Christmas Time Philosophy


I love this track. The singer could not sound more bored, and it's clear that whoever has been given the job of trying to keep time has never seen a drum before. It feels as if the only thing on the minds of the participants is to get this recording finished as quickly as possible and get down to the pub to begin their own seasonal celebrations. 


The song first appeared on the 1976 double LP Our Centennial Album, before being compiled on the rather wonderful song-poem collection Daddy, Is Santa Really Six Foot Four? In 2003.

 

Enjoy!

 

Download Santa HERE

Download Countdown HERE

Download London HERE

Download Philosophy HERE

Saturday 9 December 2023

Christmas Cavalcade 2023 - Part One

You will have to forgive me for the paucity of posts this year, it's been a busy one. One of the unfortunate byproducts of aging is having to deal with health issues (in others as well as myself), the death of family and friends (and friends who have become family), and life in general: this year I have published my latest book, moved house twice (which resulted in putting my entire record and CD collection into storage for six months), made several 'live' appearances and have been beavering away on my next tome. So, apologies for so few blog entries during 2023; I hope to make it up to you in 2024.


But it's almost Christmas, and what would this time of year be without a handful of festive failures for you? that's right, it's time for the first installment of the annual Christmas Cavalcade! Hold on to your Santa hats...


First up is both sides of a 45 issued in the US in 1975, the first of two singles issued by The Whales Featuring Rathbone and His Tuba. Their debut was this bizarre, and utterly pointless cover of the 1958 hit from David Seville and the Chipmunks, namely The Chipmunk Song, backed by a cover of a 1948 number originally popularised by singing cowboy Gene Autrey, If It Doesn't Snow on Christmas. The Whales' schtick was to do the opposite of what the Chipmunks had done so successfully, namely instead of speeding up the vocal track to sound like tiny furry creatures, the producers of this dreck (Mickey Joe Yannich and Bobby Lee), slowed the vocal down to suggest the sound that a huge, lumbering ocean leviathan might make. Unsurprisingly this and the follow-up, I Want to be the Only Whale (to Graduate From Yale) were not hits, and the Whales sank without a trace.  


And talking of Chipmunks rip-offs, the year after Alvin and Co had their big breakthrough, Capitol Records retaliated with Dancer, Prancer and Nervous (the Singing Reindeer) and their debut offering The Happy Reindeer. Like the Whales, these three also issued a second 45, coupling The Happy Birthday Song with I Wanna Be an Easter Bunny. Capitol clearly thought they had a hit on their hands, even issuing a promotional EP featuring the voice of Nervous introducing segments for regional radio play, but although The Happy Reindeer was a modest hit, the follow-up failed to chart and that was the end of that. Incidentally, the B-side of The Happy Reindeer, Dancer's Waltz, was simply an instrumental version of the plug side.


So, enjoy these three tracks for now... there will be more soon!


Download Chipmunk HERE

Download Snow HERE

Download Happy HERE

Sunday 26 November 2023

Like a Pig in Mud

Now, I realise it has been quite some time since I last posted on the blog, but I have been rather busy! We're currently in the middle of our second house move in less than six months, and hopefully by the time most of you read this my husband and I shall be happily ensconced in what will be our forever home.  


I've also been publicising my latest book, Queer Blues, and a lot of my time has been taken up writing my next book - more about that as we get closer to publication day.


But I have been remiss: It's been months since I brought you any silliness, so here is something that will hopefully keep you all happy until this year's Christmas Cavalcade begins.


I found this particular disc recently when looking around for something I had not previously played on my WFMU programme, The World's Worst Records Radio Show. Happily, this little treasure of well-meaning Christian pop was discovered more than a decade ago by our friend and song-poem collector Bob Purse, and posted on the now-defunct WFMU blog... is that serendipity or synchronicity?  


I really don't know where to begin with this nonsense. Don't Be Left Behind, Pig in Mud (II Peter 2:22), and Look at The Mess were all written by G.M. Fretto, and issued in 1984 on a three-track EP credited to Farinella-Siena-Fretto. The same three tracks also turned up on the 1986 album by Mi'Chelle Nelson, Don't Be Left Behind. Messers Gerald Fretto, Joe Farinella and Mark Siena all appear on that record too, although this time Siena is credited as Mark Sena. Both album and EP were released by G.M. Fretto Records - the only products, as far as I am aware, ever to appear on the label. 


Based in Rochester, New York, Mister Fretto and his crew specialised in a peculiar jazz/God rock hybrid. Instrumentally, the opening track Don't Be Left Behind has elements of jazz, funk, and progressive rock, and is accompanied by some ill-fitting lyrics about spiritual redemption. The title, one assumes, comes from the idea that should you not have sought absolution for your sins you will be left behind when God (in whatever form he or she chooses) decides to revisit our planet and gather up the faithful. 


Judging by the subtitle, Pig in Mud (II Peter 2:22) is clearly based on a bible verse. The verse itself is indeed quoted in the lyric: 'A dog goes back to its own vomit, and a pig that is washed heads back to the mud,' or somesuch. I'm sure it's all very important and meaningful, but frankly, to this atheist it is simply baffling. The final song, Look at The Mess is the most 'traditional' of all three songs, but even this has odd, discordant backing vocals that add an unsettling note. It is all very peculiar.


Searching Discogs you will find no further releases from Farinella-Siena-Fretto or from Mi'Chelle Nelson, and neither Joe Farinella nor Mark Siena appear to have recorded anything else. However, as Jerry Fretto, our man has issued at least three albums of Christian praise, the most recent being the 2012 collection The Joy Ahead. He had a period of ill health following his last album but happily is still around today, as is Mark Siena, who now works at the Calvary Chapel in Niagra; sadly I could find no trace of  Joe Farinella, but I hope he is healthy and well.


Here are all three tracks from the wonderfully odd EP by Farinella-Siena-Fretto: enjoy!


Download Behind HERE 

Download Pig HERE 

Download Mess HERE

WWR Most Popular Posts