One of the few star DJs of the 70s not to
be implicated in the Jimmy Savile sex scandal (so far), Dave Cash was born in
Chelsea in 1942, although his family moved to Canada by the time he was seven.
While working as a
copywriter for a Vancouver-based Men’s Wear Shop, Dave was offered the chance
to record a radio voice-over when the original actor assigned to the job became
ill. Cash was an instant smash and he was quickly signed up for more commercial
work and the occasional presenting stint.
The burgeoning pirate
radio scene brought Dave back to Blighty in the early 1960s, and he soon came
to the attention of Radio London, where he teamed up with the late, great Kenny
Everett for the Kenny & Cash Show, which became
enormously popular and influential. The pair issued a 45, with the A-side confusingly titled The B-Side, on Decca in 1965.
Dave left Radio London to
join the even more influential Radio Luxembourg before, in 1967
becoming one of the first DJs heard on the fledgling Radio One. And it was here
that Cash perpetrated the audio crime I present for you today.
Radio DJs in those days
had an endless stream of regular jingles and fictional characters which they
used to fill airtime or simply to give them space to think whilst reaching for
the next piece of vinyl to whack on the deck. Who can forget Tony
Blackburn’s Arnold, Jimmy Young’s Raymondo and the
endless cast of crazies which spewed out of Kenny Everett’s fertile mind?
Amongst Cash’s repertoire was a winsome toddler known as Microbe.
The voice of Microbe was
performed by Ian Doody, who was son of Radio 1 newsreader Pat Doody. A huge
hit on the show, his catch phrases (the ‘Knock Knock’ joke about Doctor Who and
his signature ‘Groovy Baby’) are still known today by a generation (people of
my age) who grew up next to the radio.
But Cash and Doody
weren’t satisfied with radio stardom for Microbe – they wanted something bigger
so, in 1969, the three year old Ian Doody was dragged off into a recording
studio – along with backing singers Madeline Bell, Leslie Duncan and
(allegedly) Dusty Springfield (although this seems highly unlikely as her career
had recently been revitalised and she was making it big in the States at the
time) to record Groovy Baby. Issued by CBS in the UK, by May of that year the single had reached the heady
heights of number 29 in the charts. The song’s B-side Your Turn Now was credited to
the Microbop Ensemble and featured Cash himself offering listeners the
chance to imitate Microbe for their own amusement.
Cash left the BBC for
Independent Local radio (ILR) in 1973, first at Capital where, with Everett, he
relaunched the Kenny & Cash Show, before resigning in 1994 to spend
more time writing and to develop his other interests. After six years he
rejoined the BBC, presenting programmes for Radio Kent, Radio Cambridgeshire,
and Radio Essex.
Enjoy!
I'm getting knocked around for six with the ongoing unsavoury allegations (and in the case of Stuart Hall, admissions) one after the other. 'Groovy Baby' does help put some of that into context.
ReplyDeleteBut what's the point of side B? What are they expecting me to do when the music suddenly stops?
Oh. Say "Groovy baby." Over and over. Stupid me.
ReplyDeleteThe xylophones were an unusual instrument on "Groovy Baby".
ReplyDelete