And boy, do I. Today I present for you the missing Leona
Anderson 45, her second for Columbia and her third release at that point, Limburger
Lover/Yo-Ho the Crow.
Let’s have a quick recap of her story (if you want more,
there’s a chapter on Leona’s career in my first book: most of what follows is
culled from there).
Born Leona Aronson on April 3, 1885, Leona was the younger
sister of early cowboy movie star Gilbert ‘Broncho Billy’ Anderson. She began
her showbiz career at fifteen and seriously thought about a career as an
operatic singer (I’ve read that her brother paid for her to travel to London to
study) before appearing in a number of films - thankfully all silent –
including Mud and Sand (which starred
Stan Laurel as Rhubarb Vaseline) and In the Park which starred Charlie Chaplin. Unsurprisingly she
also appeared in several movies directed by and starring her brother. Many
years later (in 1959 to be exact) she appeared in the Vincent Price horror film
The House on Haunted Hill as the
demonic Mrs Slydes.
By the mid-1950s Leona had developed her unique singing
style and made many cabaret appearances sending up opera singers: she once said
she chose this career because ‘Opera singers just can't kid themselves
properly; they never can let their voices go’, which is not a criticism that
you could ever level at her. Throughout her career she would wilfully let her
voice go just about anywhere it damn well pleased.
Described by Billboard
as ‘a gal with cultivated, and broken, pipes’, Leona (erroneously credited as
Leonna Anderson) issued her first waxing, Fish, on both 78 and on
clear red vinyl 7”, in 1953. Fish was
released by Horrible Records (motto: if it’s really a Horrible Record it’s
bound to be a hit) and put out as the B-side to the Dr Demento favourite There's
A New Sound (The Sound Of Worms Eating Your Brain) by Tony Burrello. Fish
was co-written by Burrello, who also played calliope on the track; Bill Baird
(a puppeteer who would become better known a decade later for the Lonely
Goatherd marionette scene in The Sound
of Music) played tuba. 500 copies were originally pressed but within
two weeks Horrible Records had received orders for a further 100,000 copies. TV
comic Ernie Kovacs heard it and invited her on his show. Aided by Burrello and
Murray Leona put together a nightclub act, which she called Songs to Forget; the success of the act, coupled with Kovacs
championing her cause led to her recording a cover of the Pattie Page hit The
Mama Doll Song (backed with I’m A Fool To Care) for Columbia (featured on this blog before) – of
which Billboard wrote ‘her cracked tones, sadly out of tune (have) the same
macabre appeal as the miserable chirping of Florence Foster Jenkins’.
Issued in March 1955, more than 18 months before her seminal
album Music to Suffer By, her second
(and last) 45 for Columbia – and the one I present for you today - featured Limburger
Lover and Yo-Ho the Crow. Both
songs also appeared, in
re-recorded form, on the album. Catalogue info exists for 78 rpm versions of
both Columbia singles although, as is often the case with these things, there
appear to be more promotional copies of the 45 in circulation that retail
copies. A fourth single, Indian Love Call/Habanera, was also issued, in March 1956 as both a 78 and 45
by Unique (it was also issued, with the sides flipped, in Australia: I’m lucky
enough to have picked up a copy recently for my own collection). She also
recorded a theme tune, of sorts, for the Bob and Ray radio show in March 1956.
‘I sing songs which cannot be ruined,” she once said. “I
don’t sing very off-key… just enough. I
decided that if I couldn’t be the best I’d be the worst.’
She died, on Christmas Day 1973, in a retirement home in
Fremont, Alameda County, California at the age of 88. She may be gone, but she
left us with a legacy for which we should be forever grateful.
A copy of this 45 recently turned up on Ebay: I was bidding
for it but dropped out at $30. I’ll console myself with the MP3s until the next
one turns up.
Enjoy!
Thanks DB, I like these versions. The LP ones had some awkward interjections from the band IIRC
ReplyDeleteShame they are such a low bit rate.
ReplyDelete