I can’t believe that it has taken me almost a decade of writing about rubbish to finally get around to blogging about The Ethel Merman Disco Album.
The veteran
American Broadway performer Ethel Merman released The Ethel Merman Disco Album
on A&M Records in 1979. Over the years
this dreadful record – which features Merman performing several of the songs she
was most closely identified with, including her signature belter There’s No
Business Like Show Business - has attained the status of a camp
classic, with original vinyl copies highly sought out by collectors.
Known primarily for her distinctive, powerful voice and
leading roles in musical theatre, Merman recorded 14 songs for the record,
although only seven were released on the original version (one of the others, They
Say It's Wonderful, finally saw the light
on the 2002 CD reissue; the six remaining songs have yet to see official
release). Each of the songs was recorded in only one take and arranged vocally
the way she always recorded them, with the ‘disco’ backing track added later.
It’s probably worth noting here that the woman was 71 when this turgid
monstrosity was unleashed on the world.
Stories about Merman (born January 1908, died February 1984)
are legion. My personal favourite concerns her five week marriage to Ernest
Borgnine (the fourth, last and briefest of her marriages). It was a disaster: Borgnine
himself described it as the ‘biggest mistake of my life. I thought I was
marrying Rosemary Clooney!’ Merman’s 1972 memoir, Merman, includes a chapter entitled My Marriage to
Ernest Borgnine that consists of nothing
more than a single blank page. Borgnine later told the Australian actor Frank
Wilson that he spent most of his short marriage ‘fighting like cats and dogs’ with his wife, who was eight years his senior, and told him that ‘One day she came
off the set of a film and said, ‘the director said today I looked sensational.
He said I had the face of a 20 year old, and the body and legs of a 30 year
old!’ I said: ‘did he say anything about your old cunt?’ ‘No’ replied Ethel,
‘he didn't mention you at all!’
Then there is her scene-stealing cameo in Airplane! (released a year after The Ethel Merman Disco Album and her last film performance), where she plays a
traumatised soldier who is convinced that he is Ethel Merman.
Although she is beloved by gay men of a certain age she professed
a distaste for the number of homosexuals involved in musical theatre . At a
rehearsal she once shouted to newspaper columnist Jerry Berger ‘have you ever
seen so many faggots in your life?’; she is also said to have accused Borgnine
of being ‘a fag’ when he could not perform in bed. perhaps unsurprisingly it is rumoured that she
had a lesbian affair with trash novelist Jacqueline Susann, and that Susann
based her Valley of the Dolls character
Anne, an ageing stage actress, on Merman.
There are those who will insist that The Ethel Merman Disco Album is great. It isn’t. And to prove my point here are a
couple of primo examples of Ethel’s flirtation with the demon disco: Everything’s
Coming Up Roses and I Get a Kick Out of You. Just horrible. And why the disembodied arm holding the hat? What's all that about?
The whole album is readily available on the YouTubes if you fancy more, but until next time...
The whole album is readily available on the YouTubes if you fancy more, but until next time...
Enjoy!
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