Even though it was from the same stable that had produced
the successful Sesame Street, the Muppet
Show failed to spark in the States, and it
wasn’t until ATV’s Lew Grade picked it up that it became a hit. The show
debuted in the UK in September 1976, and Kermit, Miss Piggy, Fozzie Bear, the
Great Gonzo, Animal and their friends were soon charming British audiences of
all ages.
Riding the back of the Muppet craze, Puppet Love by the Froggs was issued in May 1977. A comedy
record that isn’t funny - as far as I can make out, the ‘joke’ is that the
Muppets get shot one by one until there’s no one left to finish the song – and
copying the well-known Muppets theme tune but making ‘just’ different enough to
avoid any claims of plagiarism, it’s a hideous mess. A parody of a parody, and
the irony of that seems lost on all involved.
Written and produced by Keith Bonsoir, who also produced
(and added backing vocals and keyboards to) the Pinkees recordings, the flip
side is the throwaway instrumental Wheeling, included here for completists. Promo copies were issued with ‘this is
not a Muppett record’ [sic] stamped on the cover. Sadly the copy I picked up
for a quid in Bristol’s Wanted Records this week is lacking that particular
detail. I have yet to discover who is playing on the disc, but best guess would
be that piano and vocals are handled by Monsieur Bonsoir himself.
The disc was issued on the short-lived Paladin label, which
appears to have been connected in some way to singer-songwriter, record producer,
music entrepreneur, television and radio presenter and sex criminal Jonathan
King: King issued a disc on Paladin (under the pseudonym The Joker), and
Bonsoir, who wrote and/or produced a number of tracks for Paladin, had also
worked on productions at UK, King’s own label. Paladin existed for less than a
year (September 1976-June 1977), but Keith Bonsoir had been making records
since the early 70s, and had also worked with John Holt, Geno Washington and
cruise ship singer turned actress Sally Sagoe, who appeared in EastEnders for a couple of years in the mid 80s. He had a fair
bit of success in Europe, with pop-disco acts including the Bear Brothers, and
was also the voice of Alphonse the Horse, a kid’s cartoon/book/record franchise
which never quite took off.
After Paladin Bonsoir went to Creole Records, where he
produced The Pinkees and 53rd and 3rd among others. The
latter act had scored a hit with King and the song Chick-a-Boom (Don’t Ya
Jes Love It) in 1975 and issued at least
three 45s on UK. I, like many I would assume, had thought that 53rd
and 3rd was just another King pseudonym, but apparently not. King
also recorded for Creole, issuing the dreadful God Save The Sex
Pistols under the alias Elizabeth, (and
impersonating Queen Liz). Prince Charles, apparently, asked for six copies of
the disc to be sent to Buckingham Palace. King is due back in court to answer
charges of historic sexual abuse in June 2018, but sadly I have been unable to
discover the current whereabouts of Mr Bonsoir.
Enjoy!
Download Puppet HERE
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