Noele Gordon will be best known to British
readers for playing the part of Meg Mortimer (nee Richardson), the imperious
owner of the eponymous Motel in the long-running soap opera Crossroads.
A trained dancer, Joan Noele Gordon (she
got her middle name because she was born on Christmas Day, 1919) first appeared
on the screen in 1945, in the British film 29 Acacia Avenue. She was also the
first woman to ever appear on colour television in the UK, appearing in several
tests made by the BBC in the 1940s. Stage success followed (she was in the
London cast of Brigadoon) before, in 1955, she
joined the fledgling Independent Televison network, first as a presenter for Associated
Television’s first-ever programme, The Weekend Show before helping launch ATV Midlands in 1956. For the best part of a
decade she worked both as an on-screen presenter and, behind the scenes, as a
producer. Then, in 1964, Crossroads was
launched. The character of Meg Richardson, head of the family-run motel, was
created especially for her.
Crossroads
was famed for its wobbly sets and ridiculous storylines: many of the earlier
episodes were broadcast live, and the acting often left a lot to be desired. However
the show was enormously popular with viewers, and Noele went on to win the TV
Times award for most popular television actress on eight occasions. Her sacking
came about while ATV was being restructured (it became Central TV on 1 January
1982). The programme was an embarrassment: network bosses hoped that audiences
would abandon the show and they could cancel it. Bizarrely that didn’t happen,
and it limped on for several more years.
She died of cancer aged 65, just four years
after she was sacked, in 1985. Many then and now blame her untimely demise on
losing her job as matriarch of the Crossroads
family. Sadly for her many fans the show had been planning to bring her
character back…
But anyway: the music. Noele (or Nolly as
her friend Larry Grayson would always refer to her) left us with several
classically awful recordings. A few of the stage shows she appeared in have
associated ‘original cast’ releases, but it is her solo discography I wish to
celebrate today. It began in 1974 with the diabolically awful To My Daughter, issued on Jonathan King’s UK record label. Luckily for those of a
nervous disposition, she did not appear on the disc’s b-side. To My Daughter is diabolical: a spoken word atrocity in which the unmarried Noele
waxes lyrically about a baby girl born eight-weeks premature. It’s brilliantly
bad.
Shortly after a whole album of Noele doing
her best Barbara Cartland impersonation appeared. Noele Gordon Sings features the great woman massacring such classics as These
Foolish Things and The Nearness of You, and her on-screen marriage to Hugh Mortimer (played by John
Bentley) resulted in an album’s worth of nonsense, sold to viewers as the Crossroads
Wedding Party. Mixed up with tracks by Stephanie de
Sykes, duets with Bentley, medleys from the Crossroads cast and (naturally) the theme to the show itself, were highlights
from the show’s wedding service. It’s a camp classic.
Noele’s recording career ended the same
year as her Crossroads career did, with the 45 After
All These Years/Goodbye. A quick attempt to cash in on the publicity around her sacking, it
sank without troubling the charts.
Here, for your delectation, are a couple of
cuts from Noele, her first single To My Daughter, and her last one, Goodbye. I’ll rip After
All These Years when my copy (purchased this
morning from Discogs) arrives and add that later!
Enjoy!
Download Daughter HERE
Download Goodbye HERE
Download After HERE
You have excelled yourself. I nearly threw up.
ReplyDeleteThey're shockers, aren't they?
DeleteI often said that I was never wrong but, perhaps, I could be just mistaken.
ReplyDeleteAnd to think that I used to believe that some of that maudlin stuff out of the US (Teen Angel, Last Kiss etc.) was as bad as it could ever get.
Now I'm saying I WAS wrong. This rubbish is far worse!
B2
My mother was the author of this poem spoken to music by Noele Gordon. The poem is beautiful and was written about my eldest sister. Maybe if you critics had a heart you would find this poem touching from a mother to her daughter...but as you don't, I will let Karma kick you in the arse!
ReplyDelete