Friday, 19 November 2021

There's A New Sound

Here's a classic I've not included on the blog before, despite having written about the artist on the B-side... and it also gives me a good excuse to look into the work of pianist, composer and music teacher Anthony Tamburello.


Known professionally as Tony Burrello and Tony Burrell, Tamburello is probably best known around these here parts for his novelty release There’s a New Sound, the flip side to the Leona Anderson (incorrectly credited at Leonna) classic Fish.

 

Issued in 1953 on their own Horrible Records, There’s a New Sound and Fish were both written by Burrello and Tom Dwight Murray, although Burrello had been writing (both solo and with Murray) since at least 1950, while still working as a teach at New York’s Anthony Scotti School of Music, Drama and Dance.

 

Murray and Burrello (variously credited as Burrell or as Anthony Tam Burrello) had worked together for several years, with a slew of novelty songs to their names, including Pastafazool, I Didn’t Want To But I Did, and Fulton’s Folly Blues. But major success eluded them, until There’s a New Sound gave them the breakthrough they had been looking for. Time called the song 'an unrelenting and fairly unforgettable satire on such gimmicks as echo chambers and dog barks', and reported that, after an intial pressing of just 500 copies, the pair had received orders for 100,000 more. In August 1953 Billboard reported that the pair were now in great demand, and ‘experiencing a windmill of activity’. Soon they were writing for Tony Bennett, and they even turned their hands to writing commercials, penning several tunes for Coca Cola.

 

The duo continued to work with Leona when she moved, first to Columbia Records and then to Unique, with Burrello co-writing Limburger Lover (with Simon) and Rats in my Room with Murray. In the same year as …Worms, Murray and Burrello had also written God Bless Us All, a sugary-sweet kiddie ditty recorded by a number of artists including Spike Jones (with vocals by George Rock), Brucie Weill, Jimmy Boyd, Mollie Bee and Baby Pam. and covered in the 1980s by NRBQ.

 

The following year, Burrello and Murray composed How Do You Want Me To Sing My Love Song?, a novelty for singer Larry Foster on which Foster imitates several big-name singers of the time, including Nat “King” Cole, Al Jolson and Perry Como. The flipside, A Trip to Hollywood, featured Foster imitating a number of movie stars, including Edward G. Robinson, Cary Grant, and Jimmy Stewart.

 

Burrello (rear right) with Murray
After working with Leona, Burrello moved back to his first love, jazz, issuing several albums including Jazz a la Waller, on the tiny Manhattan Productions label (also available on Cambridge Recordings as Salute to Fats Waller) with his own Tony Burrello Trio, as well as accompanying Broadway star Pat Northrop on the LP I Love New York. In the late 1950s the Tony Burrello Trio issued at least two 10” LPs, Selections from Oklahoma and South Pacific and The Songs Of Hoagy Carmichael, on the British budget label Solitaire, which appear to have been licensed from the US owners of the masters, rather than recorded in Blighty. He continued to work with Tom Murray however, the duo writing material for singer Jerry Vale (for his 1963 season at New York’s Copacabana club),

 

Under his given name, Burrello has achieved lasting fame with cult TV fans and library music aficionados by composing the instrumental Party Dress, a tune featured in Arrival, the opening episode of the Prisoner, but which first turned up on a Chappell Recorded Music 10” in 1957.


After a long and varied career, which included time in the studio with Sinatra and tours with Tony Bennett, Tony Burrello died in September 1992.

 

For an insight into Tony’s work in the novelty field, here he is with the magnificent There’s a New Sound, plus Baby Pam and the sickly God Bless Us All, and Larry Foster with How Do You Want Me To Sing My Love Song?

 

Enjoy!

 

Download Sound HERE

Download Bless HERE

Download Sing HERE

Friday, 12 November 2021

The Rudest Man in Britain

Three years ago this very week we broadcast the very first episode of The World’s Worst Records Radio Show. It was a stumbling and shaky start, but I have now presented more than 150 episodes, or 150 hours if you will, of tortuous music over the ether, in excess of 2,300 different songs of varying degrees of awfulness.

 

Looking back over those early programmes, I see that there were a few discs in that first show I have not featured on this here very blog, so I shall start to rectify that right now. Today I present for your edification a serious rarity, both sides of the 1953 release from British television celebrity Gilbert Harding and actress Hermione Gingold, It Takes Two to Tango and Oh Grandma!

 

Harding has become a bit of an obsession for me: an irascible cove who was known as the rudest man in Britain, but underneath the gruffness was a severely troubled and lonely man, who spent his life caught in conflict between his deeply held religious beliefs and his homosexuality. So wrapped up in his life I became that I included his story in my recent book, the Velvet Mafia.

 

Harding was not an actor, a comedian nor a presenter but his presence would guarantee any TV show vast audiences; the term ‘television personality’ was coined specifically to describe him. The irascible former policeman/teacher/journalist gained an unprecedented level of fame as a panel game juror (he also appeared, as himself, in the Cliff Richard vehicle Expresso Bongo), but few outside of Harding’s immediate circle knew that he was homosexual and, as he put it in his last interview, ‘profoundly lonely’.

 

Harding broke through at a time when the BBC had the monopoly on British media, controlling the radio airwaves and maintaining the country’s only television channel (Independent Television did not begin broadcasting until 1955). His face, and his voice, was broadcast to millions of homes each and every week, but he was a complex, unhappy man. His struggle to reconcile his sexuality with his Catholic faith caused him to drink heavily, and his stint in the police force made him acutely aware of the inhuman way the law of the land dealt with people like him at that time. He also lived in constant fear of being blackmailed.

 

Loved and loathed in equal measure, Harding struggled with his fame, calling himself ‘an over-employed phoney’, and he suffered from debilitating stage fright that, like his battle with his sexuality, he relieved through alcohol. By 1957, fed up with fame, he was begging the BBC to cancel What’s My Line?, the very programme that had consolidated his status as Britain’s favourite curmudgeon. ‘I hate being made to jump through the same old hoops,’ he told friend and neighbour Godfrey Winn over supper one evening. ‘I hate being regarded by the public as a circus act.’

 

In London Harding’s closest friend was the columnist Nancy Spain, and the pair were regularly seen at the Golden Guitar Club, a bar frequented by the LGBT media and that was co-owned by Larry Parnes. Harding was envious of Spain’s ability to live openly with her lover, Joan Werner Laurie. The women were accepted as a couple among their friends, although occasionally stories about a romantic entanglement between Harding and Spain would surface in the press, a sheen of faux-respectability that kept the tabloids and gossip magazines off their tail.

 

Harding was a man divided: often petulant and testy, he was also enormously kind and generous and, although he tried to keep his sexuality secret from his adoring fans, he was not always so circumspect. When in the mood, Harding would drop in at the nearest pub and drink until well past closing time, invariably accompanied by a group of young male ‘friends’. One day, Harding was in Edinburgh to record an episode of the popular radio show Round Britain Quiz. About an hour before the show was due to go on air, he rang the studios in a panic: he could not leave his hotel room as he had no clothes. His entire wardrobe had vanished. Harding could hardly admit that the young man he had taken back to his room had robbed him, taking everything including his wallet, his luggage, the clothes he had been wearing and the script for that afternoon’s recording.

 

Another incident occurred in Bristol, when Harding became involved in an animated and noisy argument with another young man he had picked up. His friend Eric Dehn, a broadcaster who had for many years taught in Bristol, managed to deal with the demanding youth, an angry pub landlord as well as unimpressed and unaccommodating hotel staff, and keep Harding’s name out of the newspapers, which would often use coded language when reporting on the exploits of the ‘confirmed bachelor’ who ‘shunned the company of women’.

 

Although he had worked at the BBC since the war, Harding was starting to become a liability. As one producer put it: ‘A time came when we at the BBC began to wonder how much longer we could go on displaying this drunken homosexual like a freak at a sideshow.’ The last line in his ghost-written autobiography, Along My Line, was the gloomy ‘I do wish that the future were over.’ He spent the last eight years of his life in Brighton, with a chauffeur, his loyal secretary Roger ‘Podge’ Storey, a housekeeper, his beloved dogs and a budgerigar. After Harding’s death many of them sent reporters to Brighton to sniff out scandal: they returned having made barely a scratch in their notebooks.

 

A few weeks before his death, Harding had been grilled about his personal life by the former Labour MP John Freeman for the TV series Face to Face. Britain’s rudest man was reduced to tears when discussing the death of his mother and admitted to the interviewer that he ‘should be very glad to be dead’, but he refused to be drawn on his sexuality, talking vaguely about living in ‘a cloud of sexual frustration’ and admitting that he thought himself impossible to live with. With the partial decriminalisation of homosexuality still seven years away, no one of his standing could have been open with the public about their sexuality without ruining their career. Freeman later referred to him as ‘just about the most deeply miserable man I have ever encountered’.

 

On 16 November 1960 Harding collapsed on the steps of Broadcasting House shortly after completing a recording of Round Britain Quiz. His chauffeur attempted to revive him, but he died on the spot from a massive heart attack, aged just 53.

 

Born in December 1897, Hermione Gingold an English actress known for her sharp-tongued, eccentric character. Her signature drawling, deep voice was a result of nodules on her vocal cords she developed in the 1920s and early 1930s.

 

After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She appeared in dozens of films, including the wonderful Bell Book and Candle, and was a frequent guest on television chat shows and situation comedies. She also appeared on stage on both sides of the Atlantic, and was a member of the original 1973 Broadway cast of Stephen Sondheim's A Little Night Music.

 

She died from heart problems and pneumonia in Manhattan on 24 May 1987, aged 89. Her autobiography, How to Grow Old Disgracefully, was published posthumously the following year.

 

Here are both sides of the pair’s Philips 78, It Takes Two to Tango and Oh Grandma!

 

Enjoy!

 

Download Tango HERE

Download Grandma HERE

Friday, 5 November 2021

Down, Down, Down to St Helier

This week I would like to introduce you to the late singer, composer, author and tutor Bob Anthony. I am hugely indebted to Richard Heath and the Jersey Evening Post for a good chunk of what follows.

 

Born in South Africa as Thomas Coleman-Gloss, Bob Anthony, the man behind the 1975 classic Jersey… Ile d’Amour, was a regular in the Johannesburg club scene and was a member of the army’s Entertainment Corps, under the stewardship of sitcom and Carry On… legend Sid James.

 

In the early 1960s he moved to London to find fame and fortune. He changed his name by deed poll to Robert Anthony, and met his second wife, Marie, who was working in a club. ‘We aren’t 100 per cent sure why he changed his name,’ his daughter Angela told Richard Heath, a reporter from the Jersey Evening Post, in 2017. ‘But he probably thought Tommy Gloss was a bit cheesy. Robert Anthony had much more class about it, although he did become known as Bob.’

 

Bob became a regular on the capital’s club circuit, and in 1962 he began to teach singing to other hopefuls. By the end of the 1960s he was running a training school for singers, the London School of Modern Singing, which had its own Singers Variety Club attached. Bob and members of his school made their first appearance on TV in May 1970, on the London Weekend show Do Your Own London (presented by Eric Thompson, father of Sophie and Emma, and producer of the UK version of the Magic Roundabout) and they held regular Sunday afternoon sessions at the Horseshoe Hotel on Tottenham Court Road. He also penned a guidebook for people hoping to break into showbiz, Singing to Stardom.

 

Having released his first 45 in 1969 - the self-penned 24 Hours to Prove It backed with the Only Thing Wrong With Me on President Records - in 1973 Bob issued his first album, We’d Like to Teach You to Sing, an audio course for singers, complete with an instructional booklet penned by Bob himself. Yearning to go back on stage, he also came up with the rather clever idea of accompanying himself via remote control: performing with Mary the Magic Organ - an ingenious set-up where his pre-programmed Yamaha organ was happily playing away on stage - Bob would walk around the audience, using a home-made device to switch between himself, the organ and a tape deck. He became a favourite at Butlins in Bognor Regis, and soon moved his family there.

 

Bob and the family travelled a lot, and in the summer of 1974 he first went to perform on Jersey. ‘I remember when I was six or seven we went to Jersey on holiday as dad was playing there,’ Angela told Richard Heath. ‘He was playing at a hotel called the Woodlands. He loved the Island so much and spent a few summer seasons performing there. It was long enough for him to fall in love with the Island and write an album about it. He was very enthusiastic about it and put his heart and soul into it. He always spoke very fondly of Jersey and you only have to listen to the lyrics to see how much research he did about the Island.’

 

Bob was Woodlands’ resident singer for the summer season of 1975, and despite the hotel keeping him busy he clearly had enough free time to explore the island, penning songs about the sights (and sites) he saw along the way. The resulting album was the self-produced, self-funded and self-released classic that is Jersey… Ile d’Amour. Recorded at Basing Street Studio, in London, Jersey… Ile d’Amour is a 12-track song of love to the island, and Bob had a hand in everything, right down to the cover art.

 

Bob had planned two albums to follow the success of Jersey… Ile d’Amour, and in April 1976 the Stage reported that he had been working on material for one LP about the other major Channel Island, Guernsey, and one about London. The Guernsey album does not appear to have materialised, but around 1977 he issued his third album, The Magic of London. Half of the tracks were Bob’s own songs, with the rest of the album made up of traditional cockney singalongs and pub standards. the back of the sleeve boasted that Bob was a Guinness World Record holder, having twice held the World Non-Stop Singing record, first in 1969 (over 24 hours) and again in 1973, when he more than doubled his previous record at 50 hours. His first release, the 1969 single, the appropriately-titled 24 Hours to Prove It, had been credited to 'Bob Anthony - 24 Hour World Singing Champion'. 

 

In 1978 he released his last record, a 45 on the Bognor-based independent label Regis Rose Records, Mama Light a Candle for Me backed with Christmas in London. The A-side, composed by Bob, was apparently the winner of the 1978 Nice Song Festival. The following year, he finished an epic 153-hour and ten minutes continuous solo singing marathon – beating the world record he had set twice previously.

 

After a period working as a timeshare salesman in the Canary Islands - according to his daughter, Bob also recorded an album about his time on the Islands, The Magic of Tenerife and Gomera - Bob retired from the stage to spend more time with his family. He died on 13 December 2008, aged 87. For years he had suffered from a degenerative brain disorder that left him with progressively less movement and speech, and during the final year of his life, he hardly moved or said a word.

 

One day, a nurse at his care home put on Frank Sinatra’s My Way, the same song Bob had chosen as the closer for the Magic of London. ‘Dad suddenly stood up and sang along and then just sat back down again,’ Angela recalled. It was the perfect ending for a man who had done it his way his entire life. In 2017 Jersey theatre group Plays Rough wrote and performed several pieces inspired by Bob’s masterwork.

 

Here are a couple of tracks from the utterly wonderful Jersey… Ile d’Amour: Down to St Hellier and Au Revoir Ile d'Amour. Enjoy!


Download Helier HERE

Download Au Revoir HERE

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