Tupper ‘rocked American music in 1969 with The Moth
Confesses, a “phonograph opera” he wrote for The Neon Philharmonic’, apparently. His life reads like something out of a
very long and convoluted film: Frederick Tupper Saussy III (July 3, 1936 –
March 16, 2007) was a theologian, a restaurant owner, a King assassination
conspiracy theorist, anti-government pamphleteer, and radical opponent of the
federal government’s taxation laws. Born in Statesboro, Georgia, he grew up in
Tampa, Florida and graduated from the University of the South at Sewanee,
Tennessee, in 1958, releasing an album with his combo - Jazz at
Sewanee - with a subsidy from the
University. He studied piano with Oscar Peterson at the School of Jazz, and was
‘discovered’ by Dave Brubeck.
Saussy taught English at Montgomery Bell Academy in
Nashville, co-founded the ad agency McDonald and Saussy in 1962, but kept a
hand on his musical career with recording dates and the occasional club
sessions. He signed to Monument Records the following year and issued his
proper debut album, Discover Tupper Saussy,
which was produced by Fred Foster (Roy Orbison, Dolly Parton, Kris
Kristofferson, and Willie Nelson), with liner notes by Brubeck. He composed The
Beast with Five Heads for the Nashville
Symphony - based on "The Bremen Town Musicians" and designed to
replace Peter and the Wolf as a work to teach schoolchildren about
orchestration. For its 1968/69 season, the Nashville Symphony commissioned him
to write a piano concerto for Bill Pursell.
He then wrote Morning Girl, a top 20 hit and Grammy nominee for pop band The Neon Philharmonic,
and worked on TV ads for Mama Cass and the hateful Anita Bryant. He would later
write several books, go on the run from the government after cocking a snook at the IRS, spend more than a year
in prison. Oh, he was a creationist too, and believed that all anyone needed to
know could be found within the pages of the King James Bible.
Anyway, if you want to know more about Tupper, go raid the
interwebs.
Released by RCA in 1968, The Prophet features The Wayward Bus backing David Hoy,
‘psychic’, Tarot reader and stage mentalist. A cut-price Criswell, if you will,
Hoy is best remembered for taking part in a stunt in 1977 to coax the Loch Ness
Monster from its watery home. I’ve not included the b-side, as it’s just an
instrumental version of the same track. The Wayward Bus released at least one
other 45 on RCA, backing Tupper on two tracks, the dull instrumental Love
Him and the peculiar vaudeville-inspired Edgar
Whitsuntide.
My thanks to The Squire for alerting me to this little nugget. Enjoy!
1/29/16
ReplyDeleteRobGems.ca Wrote:
Thanks for mentioning the weird but inspiring Tupper Saussy. I have his first Monument album in my collection. By far, it's his most "normal" album compared to his later material, a full album of harmless instrumental piano suites with orchestral arrangement. He followed that up in 1965 with an instrumental jazz piano album of Mary Poppins songs (also on Monument Records.) "Morning Girl" is his most accessible recording, which probably why it received Top 20 airplay here in the States. He only got more peculiar from there on. Tuper also had a hand in helping out Ray Stevens during his Monument Records period (mostly on the 1968 "Even Stevens" album.)
Is the cover art of the Prophet a cryptic reference that the end of the world is approaching, and that we need to act on Hoy's prophecies?
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