Friday, 20 December 2019

Christmas Cavalcade 2019 Part Three


T’was the night before Christmas… well, the Friday before, anyway. And here, for the final time this year, is another assortment of festive foolishness for you. I’ve raided my own song-poem collection for you today, and as far as I am aware none of these tracks are currently available elsewhere on the net, so enjoy!

First up, both sides of a Chapel Recording Company 45, two songs written by Katherine Dills of East Rutherford, New Jersey. Chapel, if you didn’t already know, was an imprint of Ted Rosen’s Halmark song-poem outfit – something that becomes abundantly clear the second one hears the A-side of this ridiculous record. The music bed is exactly the same one as used for countless other Halmark releases, and the voice is clearly Mary Kimmel, Halmark’s go-to female singer.

Mary’s stentorian delivery and the ridiculously overblown backing beautifully enhance the stupidity of Ms. Dills’ daft lyrics. I’m still trying to work out who the ‘friend’ is that she’s buying My Christmas Poinsettia for. Judging by the coda, that poor plant has a rather long journey ahead. Flip side My Christmas Day Prayer is even better. A rare song bed is used this time, in fact I cannot immediately call it to mind (although I’m positive I have heard it before), but any song-poem that not only starts with a spoken intro but breaks off for a spoken-word bridge too, is a winner in my books.

Next, from the Hollywood Artists Record Co., is Stephanie Allen and Poor Little Christmas Tree. Composed by Edward E. Regina and S. Mravik, like the vast majority of song-poem discs this carries no publication or copyright date, but judging by the quality of the pressing I’d pitch it at mid-80s.

Finally for today, both sides of a 45 issued by Vanity Records in Jo Ann Lear’s (A Child’s Lament) Leave My Toys Alone and Let’s Have A Happy New Year. Vanity is an interesting label, and over the years I’ve managed to procure several of their releases for my collection. It was not a straight song-poem company, although several of their discs definitely fall into that category, and this particular one appears to be a bit of a hybrid.

Vanity Records was more a custom producer that a straight song-poem outfit, used by established songwriters to produce top-quality demos in an effort to find new takers for their material, or by people who wanted a professional-sounding product that they could then distribute in whatever way they wanted. They also had their own distribution arm, and many of their discs were advertised in the pages of Billboard. The A-side of this particular disc was co-written by pianist Jack Betzner, who wrote the tunes for a number of minor hits in the 1940s but whose career was in the doldrums by the time this particular cut was issued, which I believe was around 1958. 

He worked with lyricist Tommy Schifanella on a number of songs, including You’ll Never Hurt Me That Way in 1951, (A Child’s Lament) Leave My Toys Alone, and the pair were still collaborating as late as 1970 with I’m Wealthy (This Is Like Money In The Bank). The flip side, Let’s Have A Happy New Year, was penned by the otherwise unknown Sal Maldonato. Singer Jo Ann Lear performed for a number of small record companies, including Nicholas Gilio’s Gira (What Would I Do/Tell the World I Love You, 1953), and the rather wonderfully-monikered Startime Sound Of Beauty in 1965.

And that’s your lot. Have a fantastic Christmas, and I’ll see you soon!

Download Poinsettia HERE


Download Prayer HERE

Download Tree HERE

Download Toys HERE

Download New Year HERE

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