I realise that writing about Christmas records as the August
bank Holiday approaches is a little unseasonal, but I realised that I had not
yet featured this disc on the blog and, as I included the A-side on this week’s
World’s Worst Records Radio Show it seemed apposite to share it with you now.
The Ping Pongs’ Pinky Tail/The Things I’d Like For
Christmas was unearthed by fellow obscure music blogger Bob Purse, and
first shared by him, via WFMU, back in December 2014. It’s a howl: the lyrics
are inane but the performance is a riot, wonderfully discordant and almost wilfully
awkward, with a stilting, arrhythmic piano, dreadful drums and reedy, weedy
vocals. It’s ace.
What attracted me to the disc is
that the group credited with the performance, the Ping Pongs, are clearly the
same act credited as the Seaboard Coastliners on several tracks on the Norris
the Troubadour collection Our Centennial Album, including (appropriately
enough) Christmas Time Philosophy, Singing Sied the Showboy, I Am Back From
Vietnam, Grits and Gravy and But The Rock Rolls On. Bob thought at
the time that the group may have been employed by the Globe song poem studio,
and this would certainly make sense, as Norridge Mayhems, aka Norris the
Troubadour, did put a load of work their way: several earlier Norris the
Troubadour recordings (also collected on Our Centennial Album) feature
Globe’s go-to male vocalist Sammy Marshall.
Both songs on this particular 45 were written by Adolph
Salvatori. He had at least three more of his compositions recorded: around 1956
(which I would think is the best part of two decades before Pinky Tail was
issued) he received a co-composer credit on the 45 When I Found You,
issued by the Kansas City label Continental. Recorded by Bobbie
Clark with Herb Six and his Orchestra, his co-author that time was Paul
Salvatori, his brother. He also penned two songs released in 1960 by song-poem
label Star-Light: Promise Me and Somewhere In This World turned
up on a four-track EP credited to Mickey Shore with The Versatones.
The Salvatori brothers had big plans in the world of show business:
in 1931 Adolph penned the three-act drama Julie le Ferrier, and Paul also
saw himself as an author of hit shows. Back in 1936 both men (and their
financial backers) invested thousands of dollars in their stage musical From
Out Of the Darkness. Sadly the show, due to play in Chicago, never got off
the ground, but Adolph and Paul insited that their investors would get back
every cent they had spent on the project. Paul found himself a job as a
song-plugger, working out of Chicago, and the pair continued in the business,
working together as well as individually. The year after their flop, Adolph got
bitten by the foxtrot bug and seized by inspiration wrote the songs This Is Heaven,
Won’t You Please Get In the Mood, I Was Just Pretending, Why Can’t We Be
Friends and My Heart Went Astray In Havana. This appears to have
been Adolph’s busiest period, although the pair would continue to write throughout
the decade and into the 40s.
In 1947 Tommy Dorsey recorded one of Paul’s songs, My
Love For You. Spurred on by this success, the following year the brothers set
up their own publishing company, Salvatori Music, publishing several songbooks
containing works by both of them. Adolph also saw himself as a bit of a
journalist, penning (and copyrighting) articles including 1974’s Welcome to
Our Home (In Forest Park, Il.), and What Makes A Person Great (In Forest
Park, Il.)? Did I mention that Adolph lived most of his life in Forest
Park, Illinois?
It’s odd then that someone who had been involved in the
business for so many years would resort to using song-poem outfits to get his
songs recorded. However exactly the same thing happened with Norridge B.
mayhems, of course: after a little early success he too was forced to employ companies
like Globe to have his songs recorded. You have to wonder if Norridge and
Adolph (or Paul) ever met. I’d like to think that they would have been friends –
or at least friendly rivals.
Enjoy!
Download Pinky HERE
Download Christmas HERE
My thanks to Bob Purse for first blogging this wonderful record!
From 1972. The Star-light label out of Racine, Wisconsin, was owned by the late Harry Smith, and was later administered by Adolph Salvatori.
ReplyDeleteCheers Bob!
DeleteIt's always a good time for Christmas music!!
ReplyDelete